"It's the final countdown, da dada da..."
Twelve and thirteen year old kids, mainly of the female sex, are
gathered in front of the barriers of the Grugahalle in Essen and chant their
hymn of this year. They throw longing glances up to the windows of the
dressing rooms where shadows can be seen moving behind the windows. It
is just 4pm, another three and a half hours till the beginning of the
concert. In spite of that, hundreds of teenagers are waiting in front of
the hall. Screaming, laughing, singing and obviously in the best of
spirits. At this time you can see hardly any older fans.
Upstairs, behind one of the windows, Edgar Kluesener is sitting with a
female colleague of his who writes for the Japanese "Viva
Rock". He is practicing this special technique of small talk,
usually known as interviewing. Good old Mic suffered a bit from the fact
that, accidentally, four eager journalists were gathered to question two
of EUROPE's musicians and found himself cross-examined, a situation he
was able to handle with ease, though. But enough of the preliminaries
and let's get into the refined game of question and answer.
Let's start with the standard questions. No, of course not those about
the color of his eyes, size of his shoes or similar fashion details, but
quite respectable ones:
Edgar Kluesener: "Mic, how's the touring going so far?"
Mic Michaeli: "Oh, very well now. We are really content. We
only had a few problems at the beginning when the tour started in
Norway. The usual little accidents which always happen at the beginning
of a tour and which are due to the fact that not everything is perfectly
well coordinated. But we haven't had any problems since then. We have
every reason to be satisfied."
EK: "You recently played in Dortmund (West Germany) in the
Peter Illmann-Show. Everybody performed to a playback at this occasion.
What kind of a feeling is it for a rock band like you who depend on
their live performances to suddenly act like puppets to a
playback?"
MM: "It was rather a strange feeling, but what can you do?
At the time we really need this chance to get in many people's living
rooms through the telly. We really had to do it, regardless of the
question if we liked to do it or not. It is indeed a huge difference
between playing and performing 100 % live or pretending to so to a
playback. We just tried to make the best out of it and to have as much
fun as possible with it. But that doesn't change the fact that we only
feel completely well when we perform absolutely live."
EK: "Since your career has really started picking up, EUROPE
are the center of attention. All sorts of people want things from you,
surround you all the time and run after you, the usual drawbacks of
success. How are you dealing with that?"
MM: "I have to distinguish between two different things now:
The fans are okay. They guarantee our success and we owe them a lot for
that, even outside the concert halls. They are also usually very nice,
being fans. What I like much less are these interviews with their
questions that are always the same: 'How tall are you?', 'What color are
your eyes?', 'What's the size of your shoes?' and so on and so forth.
These sort of questions are deadly and tiring, especially when you hear
them again every day. If it has to be interviews... then I prefer those
that you ask about our music or the band itself, questions that go
beyond the usual ones and that gives me, us, the chance to find answers
that are not just stereotypes."
EK: "Since the good old times of ABBA, EUROPE have now
become the most successful Scandinavian band. Do you think that your
success will work as a catalyst for other Scandinavian groups? Are you
the forerunners of a wave of Scandinavian supergroups? Or would you at
least say that your attack on the charts of the world makes it easier
for other Scandinavian bands to find some well-deserved appreciation for
their music and themselves in their home countries?"
MM: "I think and I hope that our success will encourage
other bands to fight even harder for the way to the top. We have shown
everybody that it's possible to thrill audiences beyond the Scandinavian
borders in Europe and maybe even the United States. Now it's up to other
bands to do the same. They have to be good as well, of course, but there
are quite a few good bands in Sweden, so that shouldn't be the obstacle.
Maybe our success will really help these bands, at least in that way
that people will listen twice when they next hear a record or something
from Scandinavia and think: 'Hey, just a moment. Sweden? That's where
EUROPE come from, isn't it? Maybe this group isn't too bad either.' Even
such reactions would give those bands a further and well-deserved
chance."
EK: "It seems that you won't have much of a chance to relax
in 1987. Will you be able to find some time for writing new songs for
the new LP at all?"
MM: "We are always working on new songs and ideas during our
tours. We carry around a four track recorder, for example, Ian has his
little drum computer and I have my little synth, my guitar, etc. We are
always fiddling with new ideas, sometimes together, sometimes each by
himself. We have gathered a good bit of material already and will
certainly get some more. We have already almost enough for our next
LP."
EK: "What is the secret of the success of a band? What makes
one band successful and leaves another one that's just as good behind?
Do you have an explanation for that?
MM: "A difficult question. I think, there's no general
answer for this. A band will definitely have to be very good to be
successful. Then you have to have the right marketing, and the correct
image - whatever that may be - will have to be created. But... well,
somehow you find that in a lot of bands, and they still don't make it.
What they lack is originality. If you can comment on a band say: 'They
sound like these or those,' even if they are really good, then something
is wrong, then they lack originality. Furthermore, a radiant personality
is important for a musician. In our case, I would say the secret of our
success is this: We were absolutely determined to get famous outside of
Sweden and we worked very hard for it. We also have a very efficient and
professional management and a fantastic record company to back us. And
we had and have a huge portion of good luck, which I regard as the main
reason for success of failure. A band can be very good and original, but
if they don't have that bit of good fortune, they will never make it
completely. And that is really a shame."
Well, EUROPE have obviously made it. What happened after their concert
made that very clear. Instead of going to their hotel or to a party,
they had to jump on a plane and go to the Italian San Remo Festival,
where they were given a Gold Record - and afterwards straight back to Germany
- to their next concert.
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