Two attractive young women stood outside the
stage entrance that led to EUROPE's dressing room. Each of the girls was
dressed in white T-shirts with the outline of a shag haircut imprinted
on their impressively statuesque chests. At first glance that hair might
have belonged to Jon Bon Jovi, or maybe David Coverdale, but since this
was a concert by Sweden's premier hard rock band, there could be no
doubt that the follicle tribute was dedicated to none other than
EUROPE's main-man, Joey Tempest.
"He's soooo cute," one of the girls squealed as she patiently
waited to be escorted backstage so she could have a brief audience with
her hero.
"Yeah, but he's also so darn sexy," her friend added.
"And he's got a great voice," they stated in unison, even
though in their minds Tempest's vocal prowess seemed quite secondary to
his physical attributes.
On the other side of the door that separated the band from their fans,
the members of EUROPE were getting ready for the final concert on their
first U.S. tour. The mood was loose and jovial with Swedish banter
intermingling with English as the band joked about experiences they had
on the American tour trail as well as about the expectations of
returning home. In one corner, Tempest sat talking with drummer Ian
Haugland about some small changes he wanted in that night's set.
"This might be our last concert in America for the moment, but that
doesn't mean we're still not trying to make this the best show
possible," Tempest stated. "We're always changing little
things around just to see if they work better than what we're doing at
the moment. Sometimes they work, sometimes they don't - but that's rock
and roll."
EUROPE's premier American road junket had proven to be a massive
success. In fact, some members of the rock community - including some at
the band's record label - wondered if this tour would ever even get off
the ground. It has taken EUROPE nearly six months following the release
of their platinum smash, "The Final Countdown", to complete
their prior touring commitments and sojourn to U.S. shores. Tempest, for
one, had few regrets about the band's touring decisions.
"When the album first came out, we didn't know where our strong
markets would be," the blond belter explained. "Our previous
LP had not made a great impact in America, so we didn't see a reason to
immediately go over to the States as soon as it came out. Our attitude
was that we should play our strongest markets first, then if the demand
was there for us to come to America, we would do so."
The demand for EUROPE's presence was certainly high on this side of the
Atlantic - a fact underlined by the sold-out status of every stop on the
group's month-long U.S. tour. While the band chose to play smaller
arenas and theaters on this debut voyage, they showed the panache and
style of a band destined to be selling out the biggest halls in the land
in the near future.
Rallying around the hard rocking guitar riffs of Kee Marcello and the
classically-inspired organ runs of Mic Michaeli, EUROPE's two-hour stage
show rocked with a power and precision that belied the group's
relatively short touring history. All the hits were there,
"Carrie", "Rock the Night" and, of course, "The
Final Countdown", each delivered with a minimum of theatrical
effects and a maximum rock impact. Needless to say, the crowd ate it up,
cheering every not as well as every shake of Tempest's shaggy mane of
hair.
"American fans haven't really surprised us," Tempest said at
evening's end. "We had always been told about what great rock fans
they are, and they've lived up to all their prior billing. They're much
more responsive than European fans. We can't wait to come back and do an
even longer tour. We know the fans will be ready for us, and we'll be
ready for them."
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