The guy from the radio station who was
interviewing fans with his reporter's cassette recorder and big
microphone in front of the Grugahalle in Essen, West Germany, had every
reason to feel satisfied. The fans were prepared to answer all his
questions, such as "Why have you come here?", "What
magazine do you read?" or do you like EUROPE?"
Then the teenies started singing all together "The Final
Countdown"... and that was the end of that part of the day.
Already very early on this mid February afternoon, lots of young, very
young and slightly older EUROPE fans had gathered in front of the
barriers that surrounded the Grugahalle. Although it was cold and rainy,
the fans were in great spirits and were waiting for the time when the
heavily-built bouncers would open the doors for the public.
Towards the evening the crowd had grown enormously and had slightly
changed in composition. Although the kinds were still in the majority,
the number of older fans had noticeably grown, among them mothers and
fathers with their small children or complete families with up to three
generations present. EUROPE seem to be the band for everybody in
Germany, and probably everywhere else. You did have to search for real
metal fans, though. You got the same impression in the bursting
Grugahalle. You could feel the tension growing by the minute.
When the lights were eventually switched off, there was a sigh of relief
from the crowd and the fans pushed even closer towards the barriers in
front of the stage. Then the intro of "The Final Countdown"
was played from a tape, the stage lights went on and EUROPE started
playing for a good 90 minutes. Young girls at the front of the stage
went into euphoric ecstasies and dug cuddly animals, teddy bears, etc,
out of their pockets, screamed and threw their personal gifts on the
stage.
At the same time, it was getting rather hectic backstage. Ambulance men
with stretchers, roadies and security ran to the barriers and returned
with girls that had fainted, only to run to the barriers again a few
minutes later in expectation of the next few victims of fainting. It was
similar to the old reports about the Beatles concerts. Hysteria,
fainting teenagers and sheer, unadulterated teenybop enthusiasm.
At the same time, things were really happening on stage. EUROPE did
their best to play a gig once can describe as good without hesitation.
Sure, the boys from the cold north didn't play an earth-shattering
concert, but they did a good, reliable job. The sound was excellent and
well up front, the lights mainly very good, and you couldn't overlook
the joy the Scandinavians had in playing.
It was very evident that EUROPE aren't a heavy metal band, but they play
a well-made hard rock with pop influences. This mixture is probably the
reason why the band is so successful with younger and older people. Very
successful, as the reactions in the Grugahalle showed very clearly. The
kids wouldn't let the group off the stage so easily. They shouted for
more - and were granted an encore. One of the songs was the hymn of this
winter again, "The Final Countdown".
Shortly before that, this writer had moved to the beer stall on the
ground floor and was able to watch a very peculiar phenomenon: Due to
the stomping of several thousand feet in the hall above, the ceiling was
swinging to a really frightening extent. Yours truly went back to the
hall with his beer as fast as possible, haunted by visions of collapsing
floors and looked for a stable looking place at the side of the hall.
Thus he bore witness to the enthusiastic finale of the darlings of the
EUROPE generation.
Fact: EUROPE are undoubtedly a good band. They have an extensive musical
potential and were able to prove that in their concert which certainly
couldn't be regarded as "unforgettable", but which was
altogether very satisfactory. We will probably have to live with these
particular Europeans for another few years, but there are surely worse
alternatives.
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